TEN TIPS TO TAKING BETTER PHOTOS

1. Move in closer
Each time you spot a subject, snap a shot and then move in closer for a better shot. Having your subject almost fill the frame helps your viewer understand and appreciate your photo. Also, details are often more interesting than an overall view 
Keep moving in closer until you are sure a 4 x 6 photo will successfully represent your subject. 

2. Be quick
If it is at all possible that your subject may fly away, stop smiling, bolt, or just get tired of waiting for you to take the picture, shoot once right away. (like any of that is not possible when dealing with our kids and grandkids!) Practice getting quicker and quicker to the draw. Do not worry so much about wasting film and do not wait until you're absolutely certain all the knobs and buttons are in their correct position. 

3. Compose your work of art
Even if you don't plan on selling your photo to the Smithsonian, make an effort to keep it balanced and beautiful; on one level or another, everyone responds better to a picture that has all elements in balance or that leads the eye along an interesting path through the photo. 

For starters: 

Keep the horizon level; 
Crop out extra elements that you are not interested in (more on this is the next tip); 
Consciously place your subject where you think it most belongs rather than just accepting it wherever it happens to land in the photo; 
Play with perspective so that all lines show a pattern or lead the eye to your main subject; 
Work with the Rule of Thirds.

4. Be picky
Discern what you are really interested in and center your efforts on getting the best photo of this subject, whether it is an animal, person, mood, culture, etc. Along these lines, be sure to keep anything that would distract out of the picture.  The easiest way to do this is to watch your borders and recompose if something - such as an unattractive telephone wire, an old soda can, a distracting sign, or your finger - hangs into your picture. It becomes a bit more difficult and frustrating if you want to, say, shoot a San Francisco cable car without a single telephone line in the picture. Even in such a difficult case, though, you have many options. 

You can: 

Focus in on a close-up that tells the whole story; 
Move around until you manage to get the telephone lines (or whatever) to make a neat pattern that leads to the subject; or 
Take a panning shot so that, if you're successful, the cable car remains in focus while the background goes blurry. 

5. Focus on your subject
Practice shooting with different apertures and monitor the results from the lab to learn how depth-of-field effects your photo. You will find that a smaller depth-of-field (and smaller f-stop #) focuses all the attention upon your subject. This is great for taking a picture of your child, your dog, or your husband; subjects stand out against a blurry background. Likewise, you will find that a greater depth-of-field (bigger f-stop number) will make everything from here to eternity appear in focus. This will help make those landscapes fascinating and lovely to look at. 

6. Experiment in time.
One of the most basic, overlooked, and fun aspects of photography is that you have the power to slow time down or catch a split second. One image happens so slowly that we could never see it and the other happens so quickly in real time that we would never notice it. Play with shutter speed! Use a slow shutter speed and a tripod to make a pretty picture of any creek or stream. On the other hand, you can use a fast shutter speed (1/500 and up) to capture an object in motion. Combining a fast shutter speed with a long lens, you sports buffs can get a trophy of your own when you are able to catch the expression on your favorite runningback's face as he slips past the final defense toward a winning touchdown. Remember, catching the moment in fast-paced action photography may take a little more practice so - hang in there. 

7. Look at the light
By this, I don't mean look into the sun; that won't do at all. But it is good to see what kind of light you are working with. Which way are the shadows falling? Unless you want a silhouette effect, where your subject is black against an interesting background, it's generally best to shoot with the sun behind you. How is the light effecting your subject? Is the subject squinting? 

Is the light blazing bright upon your whole subject? This works well if you are in love with the bold colors of your subject. Side lighting, on the other hand, can add drama but can also cause extreme, hard-to-print contrasts. Lastly, indirect light to make your subject glow soft and pretty. 

8. Watch the weather, too
Look outside and decide whether or not you are going to want to have the sky in your picture. If it's overcast, simply keep the sky out of your pictures as much as possible. This is usually the best way to avoid both muted tones in your subject and washed-out skies in your background. You might also find black and white pictures of an overcast day more pleasing than color. 

When the day is beautiful, go ahead and make the most of it. If your camera allows for the use of filters, purchase a polarizer. This will help you render deep blue skies against bright white clouds, richly contrasting colors, and other wonderful effects with a simple twist of the wrist. 

9. Keep it simple
While you may wish to have "all the bells and whistles" available just in case, you will probably get the best results if you do not try to use them all the time and instead learn a simple set up that works best for you in most situations. This doesn't necessarily mean keeping your camera set on program; while this mode may be perfect in its simplicity, it may be frustrating in its tyrannical control. Instead of relying on a fully automatic program, pick a simple, semi-automatic program such as aperture-priority and master shooting in that mode. Then, you'll be able to control certain basics without letting the other basics control you, and thus keep that 150 page manual where it belongs - in your camera bag. 

Tip: if you want one accessory, bring a tripod. This one item can solve camera shake issues and help you get beautiful evening shots. 

10. Be bold
Do not allow yourself to be paralyzed by fears about correct film, correct settings, or correct social policy. If you are afraid of upsetting someone by taking their picture, just go up and ask if it's okay. Ask them to sign a release and offer a print in return. 

There you have it - basic but helpful, I hope. Now go out there, make some great shots, learn from the failures, and have fun. 
 

 Ten More Tips for Taking Great Family Photographs 

From Picture-Taking for Moms and Dads by Ron Nichols 
 

Ron Nichols, author of Picture-Taking for Moms and Dads: Recipes for Great Results with Any Camera, says that most family photographs can be markedly improved with just a little extra effort. The following ten tips are among his book's simple recipes for picture-taking success. Picture-Taking for Moms and Dads is published by Amherst Media, Inc. (ISBN 1-58428-051-4, $12.95 US & $19.95 Canadian Suggested Retail Price) 

1. Get Close
By far, the biggest mistake most photographers make is not getting close enough. By getting close to your subjects and filling the frame with only the most important information, your photos will be much better. 

2. Don't hit the bull's-eye.
To improve the dynamics of your photographs, avoid placing the subject in the center of the frame. Centering your subject makes for an uninteresting, static picture.

3. Slow down, shoot more.
Rather than rushing in and taking hurried snapshots, take the time to get in close, carefully compose the scene, and wait for the right moment to make your picture. Once you’re there, shoot several frames of the situation as it unfolds. "Film is cheap," Nichols says, "especially when you're recording priceless memories."

4. Explore all of the angles.
Sometimes, a change in perspective (like shooting down from a higher angle) can help eliminate distracting backgrounds, telephone poles or other obstacles that might otherwise negatively affect your photograph.

5. Focus on the eyes.
For most portraits, you’ll want to have the subject looking directly at the camera. It's an honest and direct approach, and there’s nothing like looking into the eyes of our friends and loved ones, even when it’s "just" a picture.

6. Shoot during the "golden hours."
Try to shoot within an hour after sunrise and inside of an hour before sunset for the best results. During these times, the light is warm and soft, lending a beautiful quality to the photograph.

7. Shoot on overcast days.
The light created on overcast days is wonderful for shooting almost any situation, especially portraits or some scenics. There are no harsh shadows, and the intensity of the film is increased, making the colors in your prints and slides look better.

8. Avoid using direct flash.
Direct camera flash causes flat lighting and red-eye, but by using higher speed film (ISO 400 or greater) you may not need a flash at all.

9. Use window light.
Take indoor portraits near a north-facing window. Soft light from a north-facing window can be a beautiful source for portraits. On an overcast day, any window will do.

10. Avoid shooting at midday.
It makes sense that if the first and last light of day are the best times to shoot photographs, one should avoid taking pictures in the middle of the day in bright sunlight. Midday light creates less-than-appealing skin tones, muted colors, and harsh shadows on faces.
 

Great scrapbook pages are easy to make with great photographs. This book will answer all those nagging questions that so many of us amateur photographers seem to have. Not only does Ron handle each of the subjects listed above in greater detail, but he also tackles common quandaries such as: What type of film to use? How do I make the lighting in my pictures look like the pro's? How do I take great shots of scenery? Before you shoot another roll of film, pick up Ron's book. You will be so glad you did.
 

Whether you're using an expensive 35 mm or a point and shoot camera,
take time to "burn" a roll or two of film on one of your favorites subjects every now and then.  If it's your little one, get on their level, play with them, and
shoot away.................
you may be surprised at how great your pictures turn out.